Wednesday, November 13, 2024

Geordie Greep - Road to The New Sound (Live Recordings 2024-08-07 / 2024-10-06) / Bootleg Download

Alright so. Greep's solo endeavors were something I truly had not been expecting to be a thing so soon. He had always been my favorite black midi member, a vast number of my favorite songs from the band being mainly written and driven by him, but the break up of the band was something really unforeseen, being widely known from a livestream that had small responses in the form of tweets, but even more so was the fact that Greep would announce his solo album within a few days from that.

Greep had done a couple of sets before that, in March at the Windmill, along side his Swing Boys lineuo. But regardless, the build up to The New Sound was exhilarating, gig after gig right after the release of the first official single Geordie Greep managed to show everyone that he, in fact, was shaping his music to new horizons, blending all his influences in one place and delivering outstanding sets. In the midst of all this, and coming from someone who lives in south america, the black midi discord has been an outstanding source for all Greep related. While lurking in there one was able to see the full recordings shared week after week, delivering something wonderful to the eyes of people who couldn't manage to experience it first hand. In that vein I extend my hand, figuratively, as a thank you to all the wonderful users who shared these recordings (my heart goes out to all of you).

I have had a deep fascination towards this live period from Greep, towards all these songs and jams and his ever evolving guitar skills shining brighter and brighter the more he went into performing with these different ensembles, but more often than not what was shared were full unedited wav or video recordings of these gigs, so it became more of an inconvenience to go back to favorite moments or particular favorite tracks, so what I bring here is what I consider a sort of small nothing input to the community of simply editing and splitting up these recordings, as well as adding artwork to all of them, to the gigs that took place up to the release week of The New Sound. 

I have done some slight work on an attempt to clean up the audio as much as possible, within my tight schedule due to work and other life things, as well as making cover artworks using Toshio Saeki's wonderful pieces (which play really really well with the concepts of lust and obsession that are shown on the album), and I bring it all to be shared here. All exported on flac to avoid gaps between tracks (which for some gigs is justified and for others not so much but alas). 

I hope this brightens up your day as much as possible. 

Thank you oh so very much to the black midi discord for these wonderful recordings and to Geordie Greep for the wonderful sounds brought to the world due to The New Sound.

DOWNLOAD HERE:

2024/08/07 - MAP Studio Residency, MAP Studio Cafe, London, England

First Set - Geordie Greep & Daniel Rogerson

1. Bluesette (7:13)
2. Banter 1 (0:44)
3. A Tune From Geodie (3:23)
4. Banter 2 (0:39)
5. A Tune From Daniel (6:53)
6. Bongo Season (3:32)
7. All the Things You Are (7:55)
8. Banter 3 (0:43)
9. Another One From Daniel (6:11)
10. One Last Tune (5:28)

Second Set

1. Para Oriente (4:43)
2. Banter 1 (0:47)
3. Terra (3:53)
4. Untitled (4:20)
5. Untitled (7:10)
6. The Magician (14:45)
7. The New Sound (6:01)
8. Banter 2 (0:43)
9. Three Views of a Secret (7:15)
10. Banter 3 (1:03)
11. Going Home: Theme of the Local Hero (3:51)

Unedited Videos Uploaded on Youtube:
https://youtu.be/bMqvn3hmiUU

https://youtu.be/2bLf1Awvb10

2024/08/09 - MAP Studio Residency, MAP Studio Cafe, London, England

1. Geordie Greep and The New Sound Band Jam (16:38)
2. The New Sound (14:25)
3. The Colours of Chloë (21:56)
4. Bongo Season (9:19)
5. Outro (1:33)

Unedited Video Uploaded on Youtube:
https://youtu.be/xiqp2CebFDc


2024/08/14 - MAP Studio Residency, MAP Studio Cafe, London, England (Acoustic Solo Set)

1. Begins (4:40)
2. Terra (5:40)
3. The Defence (7:23)
4. Dangerous Liaisons (4:32)
5. The Magician (9:06)
6. Marlene Dietrich (3:03)
7. Aching Knees (4:36)

Unedited Video Uploaded on Youtube:
https://youtu.be/7XVwp4V6FXM 

2024/08/17 - MAP Studio Residency, MAP Studio Cafe, London, England

1. Introduction (0:42)
2. The New Sound (18:00)
3. Untitled Tune 1 (6:42)
4. Instrumental Crazy One We Did at Lexington (5:39)
5. Through a War (5:29)
6. Gearing Up & Banter (1:03)
7. Receipt, Please (4:48)
8. Untitled Tune 2 (4:54)
9. Tuning Up (0:30)
10. Bongo Season (8:00)
11. "We Have Time Left" (1:30)
12. Blues (5:43)
13. Untitled Tune 3 (6:21)
14. The Magician (12:46)

Unedited Video Uploaded on Youtube:
https://youtu.be/38HAR5MY37o

2024/08/29 - The Windmill Brixton, London, England

1. Introduction (0:54)
2. Blues (6:08)
3. Walk Up (3:34)
4. The New Sound (8:56)
5. Terra (4:58)
6. Holy, Holy (8:28)
7. Drinking Water Theme (1:23)
8. Through a War (5:51)
9. The Colours of Chloë (4:47)
10. Bongo Season (8:07)
11. As If Waltz (7:13)
12. The Magician (13:38)
13. Band Introduction & Outro (1:25)

Unedited Video Uploaded on Youtube:
https://youtu.be/6gPVZqfTT6Y

Original WAV Recording (Taken From the Black Midi Discord):

2024/10/03 -  The Windmill Brixton, London, England

1. Introduction (0:52)
2. Bongo Season (7:46)
3. Blues (6:43)
4. Terra (4:16)
5. Banter (0:32)
6. Through a War (5:49)
7. Holy, Holy (11:31)
8. Getting Set (0:27)
9. Walk Up (5:27)
10. The New Sound (8:35)
11. "One More Song?" (0:56)
12. As If Waltz (10:05)
13. Band Introduction & Outro (1:05)

Unedited Video Uploaded on Youtube:
https://youtu.be/Ua__CSicv3E

2024/10/04 - Institute of Contemporary Arts, London, England

1. The Long Good Friday Theme / Introduction (1:28)
2. Untitled Tune (7:48)
3. Band Introduction (1:07)
4. Blues (6:10)
5. Walk Up (3:37)
6. The New Sound (7:51)
7. Banter (0:44)
8. Holy, Holy (10:22)
9. Terra (4:33)
10. The Colours of Chloë (7:37)
11. Bongo Season (11:18)
12. Through a War (6:04)
13. Motorbike (feat. Seth Evans) (7:34)
14. Blues Jam / The Dance of Maya (3:42)
15. Banter 2 (0:34)
16. As If Waltz (9:46)
17. The Magician (15:53)
18. Outro (1:23)

https://archive.org/details/2024-10-04-institute-of-contemporary-arts-london-england

Unedited Video Uploaded on Youtube:
https://youtu.be/PaBgPyDKu0E

Original WAV Recording (Taken From the Black Midi Discord):

2024/10/05 - Institute of Contemporary Arts, London, England

1. The Long Good Friday Theme / The Show Begins (1:56)
2. Band Introduction / Untitled Tune (6:13)
3. Walk Up (3:46)
4. Bongo Season (10:20)
5. The New Sound (6:44)
6. Terra (6:41)
7. Through a War (5:48)
8. Banter 1 (0:41)
9. Blues (6:47)
10. Banter 2 (0:31)
11. Holy, Holy (13:44)
12. Banter 3 (1:05)
13. The Colours of Chloë (14:52)
14. Banter 4 (0:48)
15. Motorbike (feat. Seth Evans) (7:44)
16. Banter 5 (0:41)
17. As If Waltz (8:45)
18. The Magician (14:19)
19. If You Are But a Dream (3:09)
20. Thank You For Coming (0:55)

https://archive.org/details/2024-10-05-institute-of-contemporary-arts-london-england

Unedited Video Uploaded on Youtube:
https://youtu.be/HAlMvREWjkA

Original WAV Recording (Taken From the Black Midi Discord):

2024/10/06 - Rough Trade East, London, England

1. The Long Good Friday Theme / The Show Begins (1:59)
2. Opening Jam (4:02)
3. Walk Up (3:52)
4. Terra (6:40)
5. Through a War (5:29)
6. The New Sound (8:45)
7. Tuning & Warming Up (1:05)
8. As If Waltz (9:20)
9. Band Introduction (0:25)
10. Bongo Season (9:19)
11. Banter (1:38)
12. Motorbike (feat. Seth Evans) (5:30)
13. One More Tune (0:21)
14. Holy, Holy (11:07)
15. Thank You For Coming (0:28)

https://archive.org/details/2024-10-06-rough-trade-east-london-england

Unedited Video Uploaded on Youtube:
https://youtu.be/5JXK1pAmdBg

Original WAV Recording (Taken From the Black Midi Discord):

Monday, November 4, 2024

Samla Mammas Manna (Zamla Mammaz Manna) - 1979-03-21 Mariahissen, Stockholm / Bootleg Download

 

High Quality Live Radio Broadcast Recording

Definitely one of the most unique bands to come out of the RIO movement... as if any of them weren't unique in their own way. Anyways, Samla were always groundbreaking in how startling they were with their music. Their compositions truly lived up to the name of the scene they were a part of, heavy distorted and progressive improvisations that were clean in their structure and execution, with albums like Schlagerns mystik and Familjesprickor being the true keypoint where they came to their creative and musical peak, but at the cost of filtering a large part of their audience. This recording is from that period, meaning that I fancy it a whole ton. Absolute gem, worthwhile and praiseworthy. Nothing much to be said really. 

If you haven't listened to them from 1977 to 1980 then you ought to (or if you haven't listened to them at all really, just do yourself a favor). What an amazing moment in history.

1. Radio Intro (1:01)
2. Ikarien (18:47)
3. Knapplösa (3:46)
4. Proffession är amatörens lim (2:43)
5. Nya lunken (8:23)
6. Allsångsparodi (4:17)
7. Tredje rumänen (2:03)
8. Ryssland (3:35)
9. Ödet / Radio Outro (17:02)

Download Here!!! - https://drive.google.com/drive/folders/1ud3lEzoSFy8VevoUQ1b-yuIUtSP4GomM?usp=sharing



Friday, September 13, 2024

BEAT - San Jose Civic Center, San Jose CA 12 Sep 2024 / Bootleg Download

There are times during live recordings when you can tell someone is REALLY trying hard. Danny is absolutely giving a lot on drums. You can tell he is giving his all to not overplay anyone, to not get kouder or faster or more technical than the rest, in fact at times he simply just HOLDS back to give every single member their own room to breathe, and he simply is just giving his all to live up to Bruford. His solos are fantastic, spacious, very very intense when they need to be (tracks like Indiscipline, Sleepless, and the absolutely BOMBASTIC opening that was Neurotica), pulling from all his years from playing with Tool but stripping it all down to the essentials, the influences, the King Crimson elements, and just showcasing them in such a wonderful way.

Maybe it is the fact that I myself am a drummer that makes me gravitate to focus more on Danny's parts, but at the same time the more I listen to the recording the more I can just not deny the fact that the drums are absolutely amazing here. Don't get me wrong, the rest of the band is not THAT far behind. Levin and Belew don't have the energy that they displayed in the 80s tours (which is to be expected considering a thing such as aging), but the chops are still there. Belew's voice specially is just stunning in how little it has been affected from the passing of time (outside of not being able to sustain certain notes or segments as well as years ago, and honestly Levin's backing vocals are so charming in how he is just trying to keep up) but regardless; and Vai was just the fit for how technical and playful these songs are...

I think my main issue is simply the fact that it's all much... slower. I don't think it's a matter of just the older members kicking it a bit down in order to be able to keep up with two whole sets of music that will keep being the norm for a WHOLE tour with very VERY taxing setlists, but more of a matter of initial chemistry. They all compliment each other so well, but you can; tell that they will improve as time goes on in the tour. 

Nevertheless, for a first show? This is very very nice, with a nice little good audience quality bootleg recording of the whole thing to go along with it. Can't wait to see how this tour will develop the band's chemistry, and to just see how Danny and Vai will just evolve with their approach to complementing Belew and Levin ...

I wonder if they might release official live recordings of the tour? I sure hope so!

Either way, this whole lineup... this whole tour really... is just one of the things that my heart needed, and I'm just glad it had a lovely start.

Set 1

1. Intro  (2:06)
2. Neurotica (4:39)
3. Neal and Jack and Me (5:55)
                      4. Heartbeat (4:24)
5. Sartori in Tangier (4:08)
6. Dig Me (3:40)
7. Model Man (3:44)
8. Man With an Open Heart (3:07)
9. Industry (8:15)
10. Larks' Tongues in Aspic (Part III) (6:12)

Set 2

11. Intro (0:25)
12. Waiting Man (6:32)
13. The Sheltering Sky (9:40)
14. Sleepless (6:07)
15. Frame by Frame (5:12)
16. Matte Kudasai (3:53)
17 Elephant Talk (5:22)
18. Three of a Perfect Pair (4:17)
19 .Indiscipline (9:58)

Encore

20. Red (6:15)
21. Thela Hun Ginjeet (7:59)


DOWNLOAD HERE - 

https://drive.google.com/drive/folders/1CV8Oynn8-rG3JUEHv-CtyDAJ5bc4-kw5?usp=sharing

https://archive.org/details/beat-san-jose-civic-center-san-jose-ca-12-sep-2024_202409


Friday, April 19, 2024

Henry Now - 2022-11-18 Teatro President, Piacenza, Italy / Bootleg Download

 


Fred Frith my beloved....

Cover art design and some mixing/editing done by yours truly

Source 1
John Graves Set
1.1. Applause / Introduction by John Graves (0:56)
1.2. God Song (2:32)
1.3. Applause / Bad Alchemy (2:47)
1.4. Applause (0:16)
1.5. Twenty-Two Proverbs (3:28)
1.6. Applause (0:19)
1.7. Kew. Rhone. (5:16) 
1.8. Applause (0:34)
1.9. Swelling Valley (3:14)
1.10. Applause / The Song (4:54)
1.11. Applause (0:33)
1.12. How Beautiful You Are (3:23) 

Henry Now Set
1.13. Applause / Introduction by Max Marchini (3:21)
1.14. Improvisation #1 (33:24)
1.15. Applause (1:06)
1.16. Improvisation #2 (12:57)
1.17. Applause (1:50)

Encore
1.18. Improvisation #3 (6:21)
1.19. Applause (1:34)
1.20. Casablanca Moon ((3:02)
1.21. Applause (0:13)
1.22. Little Red Riding Hood Hit the Road (5:01) 
1.23. Applause (1:39)


Source 2
John Greaves Opening Set
2.1. Introduction by John Greaves (0:52)
2.2. God Song (2:47)
2.3. Bad Alchemy  (2:48)
2.4. Twenty-Two Proverbs (3:48)
2.5. Kew. Rhone. (5:52)
2.6. Swelling Valley (3:13)
2.7. The Song (5:24)
2.8. How Beautiful You Are (3:59)

Henry Now Set
2.9. Introduction by Max Marchini (1:51)
2.10. Piacenza 1 (34:34)
2.11. Piacenza 2 (14:46)
2.12. Piacenza 3 (8:05)
2.13. Casablanca Moon (3:14)
2.14. Little Red Riding Hood Hit the Road (5:31)

Tim Hodgkinson - clarinets, flute, lap steel guitar
Fred Frith - gitar, violin
Chris Cutler - drums
John Greaves - piano, voice, bass
Annie Barbazza - voice, piano (1.3, 1.5, 1.7, 1.10, 1.12, 1.20, 1.22, 2.3-2.8, 2.13, 2.14)

Thursday, April 18, 2024

Christian Vander Quartet - Hommages à l'homme suprême (Live Recordings 2002-2012) / Bootleg Download

 

There is no mystery in the fact that John Coltrane was the cornerstone, the key, the door (whatever you want to call it) to Christian Vander's love for music. Coltrane's passing was the main push for Vander's need to fill that musical void in the world with creations of his own that managed to be both unique and a tribute to the inspiration that kickstsrted it. Without Coltrane's influence on the french drummer there wouldn't be Magma, there wouldn't be Offering, and there wouldn't be decades worth of amazing muscial material that started due to Vander and Zeuhl's musical galaxy.

Given all that it is no surprise that Vander would want to pay a more clear tribute to Coltrane's body of work, be it with lineups like Offering or on a relatively lesser scale with more personal projects such as the Christian Vander Quartet, a lineup that embodies a profound musical exploration and an unwavering reverence for Coltrane's musical legacy. This is where all his influences and personal playing styles come together as a unity, with the tapestry of the so called Zeuhl style of progressive rock and jazz fusion merged with the influence of Coltrane's exploration of spiritual themes and his boundary-defying improvisations on a very interesting proposal of sound that has been presented for quite a long time now, standings as a testament to Vander's audacious creativity and relentless pursuit of sonic innovation.

There is no discussion that Vander's true potential comes together on live settings, regardless of what ensamble is presented, so it shouldn't be surprising that live engagements are where the Christian Vander Quartet truly shines. Each show becomes an immersive journey, echoing the spiritual intensity and transformative power that Coltrane brought to the stage. Vander's love for Coltrane radiates through the quartet's interpretations, pushing beyond mere musical expressions and embracing the ineffable while transcending the dimensions of sound and spirituality in the world of jazz.

Revisiting the Quartet's recordings allows one to encounter not just wonderful music that makes it clear where all of Magma's and Offering's core values and influences come from, but also a profound dialogue between Vander and his personal muse and mentor, coming together as the artistic vision transforming into a unique spirit. Each composition becomes a tribute, a nod to a musical luminary whose influence continues to shape the landscape of modern music, being transmitted through a modern legend that has managed to create his own musical legacy. Vander invites listeners to embark on a celebration of Coltrane's enduring impact and an exploration of new frontiers in musical expression. 

It is a testament to the timeless resonance of Coltrane's legacy and the boundless possibilities that emerge when artists dare to channel the spirit of a visionary, and while it is not the first time, and definitely not the last, where one will find Vander doing a tribute of this sort, this one is a lineup that truly deserves to be admired for what it brings on a more personal and intimate Quartet form. I hope these recordings manage to convey small windows to such unique hommages to the supreme contemporary jazz man made by such a supremely inspired musician.

2002-04-03 Sunset, Paris, France

1. Naima (14:19)
2. Liberia (9:40)
3. Brazilia (12:50)
4. Equinox (11:40)
5. Impressions (23:15)
6. Afro Blue (9:22)
7. Transition (15:48)
8. Body and Soul (11:42)
9. My Favorite Things (18:51)

2002-04-19 Le Cylindre, Besançon, France

1. Naima (13:03)
2. Afro Blue (9:27)
3. Transition (15:40)
4. Lonnie's Lament (18:24)
5. My Favorite Things (20:18)
6. Impressions (9:27)

2011-03-18 Sunside Jazz Club, Paris, France

1st set
1. Like Sonny (14:07)
2. The Promise (12:05)
3. Body and Soul (10:25)
4. Impressions (12:57)

2nd set
5. India (18:25)
6. Naima (12:37)
7. Impressions (19:02)
8. My Favorite Things (18:33)

3rd set
9. Blues for Tomorrow (11:35)
10. Moment's Notice (6:52)
11. Equinox (9:25)

Christian Vander - drums
Laurent Fickelson - piano 
Emmanuel Grimonprez - bass 
Jean-Michel Couchet - alto & soprano saxophone

2012-01-06 Sunside Jazz Club, Paris, France

1. Ut (12:36)
2. Body and Soul (11:14)
3. India (15:16)
4. Naima (13:37)
5. Wise One (11:35)
6. Impressions (15:16)
7. My Favorite Things (17:40)
8. After Tomorrow (10:32)
9. Transition (17:03)
10. Equinox (7:46)

Christian Vander - drums
Laurent Fickelson - piano 
Emmanuel Grimonprez - bass 
Jean-Michel Couchet - tenor and soprano saxophone 

Friday, April 12, 2024

You Will Be Shot: Naked City Live Archive 1988-1993 / Bootleg Download

By the great Suehiro Maruo
 

Naked City will forever be an unrepeatable and irreplaceable moment in music history.

There's an enigmatic allure that surrounds John Zorn's vast body of work, an ever-expanding landscape of musical exploration that has both captivated and divided audiences over the years. Amidst this expansive oeuvre, one of his most iconic and polarizing ventures remains Naked City—a band that stands as a testament to Zorn's audacious creativity and boundary-pushing artistry.

Naked City emerged as a contemporary experiment, embodying Zorn's reverence for diverse influences while challenging conventional notions of musical expression. With a classic lineup of guitar, bass, keyboards, drums, vocals, and Zorn's signature saxophone weaving throughout, the band embarked on a sonic journey that traversed an astonishing array of genres and styles. Critics might argue it as derivative, but Naked City was far from mere imitation; each composition, whether a cover or inspired original, bore the unmistakable imprint of the band's daring interpretation.

Live performances were where Naked City truly shone. Raw, unpredictable, and at times chaotic, their sets were marked by a fearless melding of structured precision and free-form improvisation. Zorn, both integral member and mastermind, orchestrated from the sidelines, allowing each musician equal prominence in the ensemble's dynamic interplay.

Naked City's live performances were legendary spectacles that showcased the band's daring spirit and unbridled energy. From intimate club settings to sprawling festival stages, each show was a whirlwind of sonic experimentation and improvisational brilliance. The band thrived on the unpredictability of live performance, embracing the rawness and spontaneity that came with pushing musical boundaries in real-time.

One of the defining characteristics of Naked City's live sets was their fearless approach to genre fusion. They seamlessly transitioned from blistering punk to jazz-infused chaos, from serene ambience to frenetic noise bursts—all within the same performance. This fearless eclecticism kept audiences on edge, never knowing what sonic landscape the band would explore next.

John Zorn's role as both participant and conductor during live shows was crucial to the band's dynamic. While his saxophone wove intricate melodies, he also directed the ensemble with subtle cues, guiding them through complex compositions and impromptu detours. This dual role underscored Zorn's visionary leadership, fostering an environment where musical risk-taking was celebrated and embraced.

Throughout their career, Naked City's live performances became synonymous with artistic intensity and innovation. Each show was a testament to the band's commitment to pushing boundaries and challenging conventions. It was not just about playing music; it was about creating an immersive experience that transcended traditional notions of performance.

In the broader context of Zorn's prolific career, Naked City occupies a unique place—a moment of convergence where diverse influences coalesced into something wholly original and impactful. While the band's lifespan was relatively brief, its legacy reverberates through the avant-garde and experimental music scenes to this day. Naked City's fearless experimentation continues to inspire musicians across genres, urging them to embrace the unknown and forge new artistic frontiers.

In the annals of avant-garde music history, Naked City remains a pivotal chapter—an embodiment of Zorn's unyielding pursuit of artistic evolution and exploration. To experience Naked City is to encounter the essence of musical rebellion and invention—a reminder that true creativity knows no bounds and thrives on the edge of the unknown.

The band's onstage chemistry was palpable, infused with moments of spontaneity and intensity. Vocal duties shifted between Yamataka's gritty delivery and guest appearances by luminaries like Mike Patton, pushing boundaries of vocal experimentation within demanding musical landscapes. Despite occasional imperfections, Naked City's live recordings captured a unique synergy—an amalgamation of skill, camaraderie, and unrestrained creativity.

Naked City's significance extends beyond their musical prowess; they represent a beacon of inspiration for countless artists to explore uncharted territories. Zorn's evolving trajectory ensured that Naked City, while iconic, was but one chapter in his expansive narrative—an exploration that continually transcended its own boundaries.

For aficionados and newcomers alike, Naked City remains a cornerstone of avant-garde music—a testament to Zorn's capacity to inspire and challenge. Their legacy endures not as a static relic, but as a catalyst for artistic evolution and exploration. In revisiting Naked City's catalogue, one discovers not just music, but a transformative experience—an invitation to embrace the unexpected and redefine the boundaries of musical expression. Exploring Naked City's live recordings is akin to embarking on a sonic adventure—an invitation to witness the collision of disparate genres and the birth of musical innovation. It's a testament to the enduring power of creativity and the limitless possibilities that emerge when artists dare to defy expectations. While the full depth of Naked City's impact may elude mere description, it is an experience that demands to be heard, felt, and savored—a reminder of the boundless possibilities that emerge when creativity knows no limits.

What I present here is something special. Over the years my fascination for Zorn's vast musical web of projects and connections has always brought me back to appreciating certain projects of his, including the things that were done with this band. There are, of course, some very popular non-authorized recordings around but what I present here are infrequent and scarce recordings that need recognition and that bring windows to different times in the band's history. Nineteen different recordings from the very beginning to the very end of Naked City, all carefully preserved, edited and presented in order to be truly appreciated and shared with the world. And while this is not the first time I pay some sort of tribute to the project, this is certainly the first time I've done it in a proper way under my eyes.

I hope these recordings and this post manage to somehow capture and portray the essence of Naked City and John Zorn's innovative approach to music on a fitting way, reflecting the admiration and intrigue people had, have, and most likely will still keep having for this unique ensemble. 

Hope anyone interested enough in this particular period of John Zorn's extensive musical history manages to enjoy it to the fullest. 

Editing, formatting, some mixing/mastering and all cover arts designed by yours truly.

1988-05-18 - Knitting Factory, New York City, NY

Early Set
1.1. Tuning Up (0:35)
1.2. Inside Straight (10:10)
1.3. Applause & Band Intro (0:23)
1.4. Introduction (0:54)
1.5. Milano Odia (4:33)
1.6. Applause (0:22)
1.7. Introduction (1:00)
1.8. Contempt (7:47)
1.9. Applause (0:26)
1.10. Introduction (1:07)
1.11. The Light on the Dalta (2:22)
1.12. Applause (0:15) 
1.13. Introduction (0:37)
1.14. Back in the Earth (4:43)
1.15. Applause (0:10)
1.16. Improvisation (2:38)
1.17. Applause (0:06)
1.18. Chinatown (8:57)
1.19. Applause (0:17)
1.20. Introduction (0:50)
1.21. You Will Be Shot (1:43)
1.22. Applause (0:21)

Late Set
2.1. Long Form Improvisation I (27:22)
2.2. Long Form Improvisation II (21:21)
2.3. Applause (0:13)
2.4. Funny Stuff (12:55)
2.5. Applause (0:08)
2.6. Introduction (0:47)
2.7. You Will Be Shot (1:38)
2.8. Applause (0:05)
2.9. Inside Straight (8:44)

John Zorn - alto saxophone, arranger, bandleader/conductor
Wayne Horvitz - keyboards
Bill Frisell - guitar
Fred Frith - bass
Joey Baron - drums

1988-05-20 - Knitting Factory, New York City, NY

Early Set
1.1. Introduction (0:14)
1.2. Cold Blood (4:23)
1.3. Applause (0:11)
1.4. Warming Up (0:55)
1.5. Blues Groove (8:01)
1.6. Applause (0:17)
1.7. Improv / The Sicilian Clan (7:12)
1.8. Applause (0:33)
1.9. Cream (5:02)
1.10. Applause (0:21)
1.11. Introduction (0:57)
1.12. Inside Straight (11:46)
1.13. Applause (0:37)
1.14. Introduction (0:50)
1.15. (Pretty) Lonely Woman (9:52)

Late Set
2.1. Introduction (1:22)
2.2. Zapata (3:56)
2.3. Applause (0:15)
2.4. Taxi Driver (5:31)
2.5. Applause (0:21)
2.6. She Must Be Seeing Things I (2:06)
2.7. She Must Be Seeing Things II (2:19)
2.8. She Must Be Seeing Things III (5:06)
2.9. She Must Be Seeing Things IV (0:47)
2.10. She Must Be Seeing Things V (4:34)
2.11. Applause & Stage Directions (0:37)
2.12. She Must Be Seeing Things VI (4:44)
2.13. She Must Be Seeing Things VII (4:31)
2.14. She Must Be Seeing Things VIII (3:15)
2.15. Applause (0:05)
2.16. Improvisation (6:12)
2.17. Applause & Crowd (0:28)
2.18. Batman (2:08)
2.19. Applause (0:50)
2.20. Batman (Again) (2:05)
2.21. Applause (0:16)
2.22. Funny Stuff (14:10)

John Zorn - alto saxophone, arranger, bandleader/conductor
Wayne Horvitz - keyboards
Bill Frisell - guitar
Fred Frith - bass
Joey Baron - drums

1988-10-06 - Knitting Factory, New York City, NY

Early Set Cassette Source 1
1.1. Batman (Take 1) (1:42)
1.2. Batman (Take 2) (2:27)
1.3. The Sicilian Clan (4:07)
1.4. E Cars (8:07)
1.5. Den of Sins (False Start) (0:22)
1.6. Den of Sins (2:46)
1.7. Chinatown (10:29)
1.8. Latin Quarter (7:56)
1.9. You Will Be Shot (1:37)
1.10. Poverty Theme (6:36)
1.11. Reanimator (3:08)
1.12. (Pretty) Lonely Woman (6:49)

Early Set Cassette Source 2
2.1. Introductions (1:43)
2.2. Batman (Take 1) (1:45)
2.3. Batman (Take 2) (2:31)
2.4. The Sicilian Clan (4:17)
2.5. E Cars  (9:38)
2.6. Den of Sins (False Start) (0:16)
2.7. Den of Sins (3:22)
2.8. Chinatown (11:03)
2.9. Latin Quarter (9:26)
2.10. You Will Be Shot (1:31)
2.11. Tuning / Intro (0:41)
2.12. Poverty Theme (7:44)
2.13. Reanimator (3:41)
2.14. Reanimator (Volume Adjusted) (3:41)
2.15. (Pretty) Lonely Woman (6:36)
2.16. (Pretty) Lonely Woman (Volume Adjusted)  (6:36)

Late Set
3.1. Arto Lindsay Introduction (0:56)
3.2. Warming Up (1:13)
3.3. Funny Stuff (10:48)
3.4. Applause (0:05)
3.5. Introduction (1:17)
3.6.  Svegliati e Uccidi (2:48)
3.7. Applause (0:07)
3.8. Introduction (0:16)
3.9.  Truth or Dare (11:20)
3.10. Applause (0:12)
3.11. Taxi Driver (10:48)
3.12. Applause (0:05)
3.13. Crowd (0:08)
3.14. Dead Dread (1:17)
3.15. Applause (0:04)
3.16. Tuning Up (0:35)
3.17. Peter Gunn (7:29)
3.18. Applause (0:06)
3.19.Introduction (0:34)
3.20. Zapata (5:14)
3.21. Applause (0:06)
3.22. Introduction (0:46)
3.23. Death Waltz Fantasy (3:20)
3.24. Applause (0:04)
3.25. Introduction (0:14)
3.26. Blues # (9:27)
3.27. Applause / Band Intro (0:26)
3.28. Introduction (0:13)
3.29. Reanimator (2:08)
3.30. Applause (0:11)

John Zorn - alto saxophone, arranger, bandleader/conductor
Wayne Horvitz - keyboards
Bill Frisell - guitar
Fred Frith - bass
Joey Baron - drums

1988-10-07 - Knitting Factory, New York City, NY

1. Room Ambiance (0:11)
2. Inside Straight (10:24)
3. Applause (0:04)
4. Introduction (0:33)
5. Reanimator (1:29)
6. Applause (0:04)
7. Introduction (0:17)
8. A Shot in the Dark (2:11)
9. Applause (0:04)
10. Introduction (0:27)
11. Erotico (6:14)
12. Applause (0:04)
13. Introduction (0:12)
14. Den of Sins (1:57)
15. Applause (0:04)
16. Intro (Stripper Story) (1:35)
17. Butoh Stripper (7:27)
18. Introduction (0:29)
19. James Bond Theme (2:45)
20. Introduction (0:22)
21. 21. (7:11)
22. Graveyard Shift (4:15)
23. Applause & Band Intro (0:20)
24. Encores Intro / Tune Up (0:33)
25. Introduction (0:04)
26. E Cars (2:42)
27. Applause (0:06)
28. Applause / Intro (0:30)
29. Zapata (4:17)
30. Applause (0:10)

John Zorn - alto saxophone, arranger, bandleader/conductor
Wayne Horvitz - keyboards
Bill Frisell - guitar
Fred Frith - bass
Joey Baron - drums

1989-10-21 - Teatro Cavallerizza, Reggio Emilia, Italy

1. Alessandro Achilli Announcement (0:04)
2. A Shot in the Dark (3:36)
3. The James Bond Theme (3:26)
4. John Zorn Announcement (1:07)
5. Once Upon a Time in America (3:24)
6. John Zorn Announcement (0:51)
7. Contempt (2:47)
8. John Zorn Announcement (1:09)
9. Chinatown (6:59)
10. Batman (1:59)
11. John Zorn Announcement (0:31)
12. You Onluy Live Twice (4:01)
13. John Zorn Announcement (0:46)
14. The Cincinnati Kid (3:09)
15. Band Announcement (1:16)
16. The List of Adrian Messenger (3:38)
17. John Zorn Announcement (0:43)
18. Snagglepuss (1:59)
19. John Zorn Announcement (0:46)
20. Alessandro Achilli Announcement (4:36)
21. John Zorn Announcement (1:40)
22. Graveyard of the Brotherhood (3:40)
23. John Zorn Announcement (0:51)
24. The Man From U.N.C.L.E. (1:24)
25. John Zorn Announcement (0:28)
26. The Sicilian Clan (3:46)
27. I Want to Live (2:27)
28. John Zorn Announcement (1:05)
29. Rosemary's Baby (3:54)
30. John Zorn Announcement (0:50)
31. The Godfather (0:27)
32. John Zorn Announcement (0:53)
33. Once Upon a Time in America (5:00)
34. John Zorn Announcement (1:12)
35. Erorico (5:46)
36. Band Announcement (0:20)

John Zorn - alto saxophone, arranger, bandleader/conductor
Wayne Horvitz - piano, keyboards
Bill Frisell - guitar
Fred Frith - bass
Joey Baron - drums
plus
Carol Emanuel - harp
David Weinstein - keyboards, sampler
Cyro Baptista - percussion
Claudia Engelhart - sound engineer

1989-10-22 - Auditorium Flog, Florence, Italy

1. Batman (0:31)
2. John Zorn Announcement (1:12)
3. Snagglepuss (2:19)
4. John Zorn Announcement (0:31)
5. Rapid Shave (5:13)
6. John Zorn Announcement (1:30)
7. Perfume of a Critic's Burning Flesh (0;27)
8. John Zorn Announcement (0:25)
9. Demon Sanctuary (0:40)
10. John Zorn Announcement (0:21)
11. Blood Duster (0:16)
12. John Zorn Announcement (0:21)
13. Speedball (0:43)
14. John Zorn Announcement (0:23)
15. Igneous Ejaculation (0:21)
16. Applause (0:09)
17. Fuck the Facts (0:12)
18. John Zorn Announcement (0:21)
19. Hammerhead (0:10)
20. John Zorn Announcement (0:18)
21. Ujaku (0:29)
22. John Zorn Announcement (0:22)
23. Obeah Man (0:24)
24. John Zorn Announcement (0:31)
25. Jazz Snob Eat Shit (0:27)
26. John Zorn Announcement (0:46)
27. You Only Live Twice (4:09)
28. Alessandro Achilli Announcement (1:39)
29.  John Zorn Announcement (0:13)
30. You Will Be Shot (1:21)
31.  John Zorn Announcement (0:31)
32. Surfer Girl (2:34)
33. Church Key (2:49)
34.  John Zorn Announcement (1:54)
35. NY Flat Top Box (0:37)
36.  John Zorn Announcement (0:13)
37. The Way I Feel (8:39)
38.  John Zorn Announcement (0:20
39. Saigon Pickup (4:25)
40.  John Zorn Announcement (0:59)
41. Lonely Woman (3:42)
42.  John Zorn Announcement (1:50)
43. Graveyard of the Brotherhood (2:36)
44.  John Zorn Announcement (0:21)
45. A Shot in the Dark (3:19)
46. Band Announcement (0:18)
47. Alessandro Achilli Announcement (0:07)
48. The James Bond Theme (3:19)
49. John Zorn Announcement (0:17)
50. Chinatown (6:15)
51. Alessandro Achilli Announcement (0:46)

John Zorn - alto saxophone, arranger, bandleader/conductor
Wayne Horvitz - piano, keyboards
Bill Frisell - guitar
Fred Frith - bass
Joey Baron - drums

1989-10-31 - Unknown Venue, Trento, Italy

1. You Will Be Shot (1:48)
2. Saigon Pick Up (4:58)
3. The Cincinnati Kid (3:56)
4. Rosemary's Baby (4:09)
5. Jazz Snob Eat Shit (1:09)
6. Perfume of a Critic's Burning Flesh (0:43)
7. Piledriver (0:55)
8. Hawaii 5-0 (2:56)
9. Snagglepuss (3:09)
10. Ujaku (1:05)
11. The List of Adrian Messenger (3:31)
12. Batman (2:41)
13. Mr. Kiss Kiss Bang Bang (5:04)
14. Igneous Ejaculation (0:46)
15. Hammerhead (0:31)
16. Numbskull (0:40)
17. Blood Duster (0:34)
18. Torture Garden (0:50)
19. Latin Quarter (4:37)
20. Once Upon a Time in America (Fades Out) (3:00)
21. Graveyard of the Brotherhood (3:14)
22. I Die Screaming (2:50
23. Rapid Shave (6:56)
24. Obeah Man (0:32)
25. Fuck the Facts (0:19)
26. Whiplash (0:45)
27. Blood Is Thin (Take 1) (1:59)
28. Blood Is Thin (Take 2) (1:14)
29. NY Flat Top Box (1:18)
30. Chinatown (8:10)
31. The Man From U.N.C.L.E. (2:18)
32. Demon Sanctuary (1:09)
33. Victims of Torture (0:42)
34. Speedball (1:07)
35. You Only Live Twice (3:22)
36. Band Intro / Encore Applause (0:38)
37. Skate Key (2:35)
38. Reanimator (2:06)

John Zorn - alto saxophone, arranger, bandleader/conductor
Wayne Horvitz - piano, keyboards
Bill Frisell - guitar
Fred Frith - bass
Joey Baron - drums

1989-12-01 - Durham, UK

Early Set
1.1. Graveyard Shift (4:46)
1.2. James Bond Theme (3:35)
1.3. Igneous Ejaculation (0:34)
1.4. Ujaku (0:35)
1.5. Torture Garden (0:57)
1.6. Blood Is Thin (For Jimmy Page) (2:13)
1.7. Rosemary's Baby (4:15)
1.8. Skate Key (1:56)
1.9. Blood Duster (0:27)
1.10. Jazz Snob Eat Shit (1:01)
1.11. The Man From U.N.C.L.E. (2:15)
1.12. The Sicilian Clan (3:46)
1.13. The Perfume of a Critic's Burning Flesh (0:35)
1.14. Demon Sanctuary (0:50)
1.15. No Reason to Believe (1:19)
1.16. The Way I Feel (9:30)
1.17. I Die Screaming (2:30)
1.18. Band Intro (0:27)

Late Set
2.1. Hawaii 5-0 (2:54)
2.2. Purged Specimen (2:14)
2.3. Six Gun (2:23)
2.4. Medley Introduction (0:29)
2.5. Gob of Spit (0:17)
2.6. Mary T (0:15)
2.7. The Blade (0:47)
2.8. Victims of Torture (0:50)
2.9. Piledriver (1:15)
2.10. The List of Adrian Messenger (3:00)
2.11. You Will Be Shot (1:46)
2.12. NY Flat Top Box (0:56)
2.13. Fuck the Facts (0:21)
2.14. Obeah Man (0:40)
2.15. Numbskull (0:44)
2.16. Hammerhead (0:28)
2.17. Whiplash (0:29)
2.18. Rapid Shave (9:00)
2.19. Bone Orchard (For John Bonham) (3:30)
2.20. A Shot in the Dark (4:07)
2.21. In My Room (3:08)
2.22. Speedball (0:59)
2.23. The Ways of Pain (0:53)
2.24. Goodnight / Band Intro / Encore Applause (0:42)
2.25.Taxi Driver (Fades Out) (7:51)

John Zorn - alto saxophone, arranger, bandleader/conductor
Wayne Horvitz - piano, keyboards
Bill Frisell - guitar
Fred Frith - bass
Joey Baron - drums

1989-12-31 - The Puck Building, New York City, NY

Set 1
1. Crowd (0:45)
2. Band Introductions (1:16)
3. Set Introduction (2:15)
4. Thrash Jazz Assassin (1:07)
5. Ujaku (0:56)
6. Medley Intro (0:32)
7. Gob of Spit (0:16)
8. Merry T (0:20)
9. The Blade (0:49)
10. Perfume of a Critic's Burning Flesh (0:50)
11. NY Flat Top Box (1:10)
12. No Reason to Believe (1:07)
13. You Will Be Shot (1:35)
14. Applause / Eye Leaves (0:36)
15. The Man From U.N.C.L.E. (2:08)
16. Saigon Pickup (5:07)
17. The List of Adrian Messenger (3:40)
18. Torture Garden (1:43)
19. Rapid Shave (7:33)
20. Jazz Snob Eat Shit (1:32)
21. Intro (1:36)
22. In My Room (2:49)
23. Snagglepuss (3:09)
24. You Only Live Twice (3:41)
25. Eye Intro (0:49)
26. I Die Screaming (2:27)
27. Igneous Ejaculation (1:00)
28. Demon Sanctuary (1:21)
29. Rant (0:43)
30. Obeah Man (1:01)
31. Intro (0:28)
32. Zorn & Eye Duo Improvisation (1:00)
33. Baby Doll (7:26)
34. Intro (0:48)
35. Punk China Doll (2:25)
36. Baja (2:32)
37. Band Intro (End of 1st Set) (1:07)

Set 2 
38. Warming Up (2nd Set) (1:25)
39. Taila (4:16)
40. Graveyard Shift (4:42)
41. Slan (Take 1) (1:01)
42. Slan (Take 2) (0:53)
43. Blood Duster (Take 1) (1:11)
44. Blood Duster (Take 2) (0:26)
45. Kaoru (1:21)
46. Eye Leaves / Jack Lord Intro (0:40)
47. Hawaii 5-0 (2:21)
48. Latin Quarter (4:18)
49. Skatekey (2:05)
50. Rosemary's Baby (4:35)
51. Eye Arrives (0:27)
52. Blunt Instrument (1:46)
53. Hammerhead (0:38)
54. Fuck the Facts (0:31)
55. Victims of Torture (0:58)
56. Piledriver (0:46)
57. Bone Orchard (3:34)
58. Eye Leaves (0:23)
59. Graveyard of the Brotherhood (4:04)
60. Batman (2:21)
61. The Yodel (7:31)
62. Eye Returns (1:03)
63. Purged Specimen (1:18)
64. Cairo Chop Shop (1:14)
65. The Ways of Pain (1:17)
66. Numbskull (0:32)
67. Blood Is Thin (1:54)
68. Whiplash (0:54)
69. Speedball (1:17)
70. The Mystery Song (5:31)
71. Band Intro / Happy New Year (1:12)
72. A Shot in the Dark (3:33)
73. Encore Applause / Intro (0:58)
74. Chinatown (6:16)
75. Band Intro (1:01)

John Zorn - alto saxophone, whistle, duck calls, bandleader
Bill Frisell - guitar 
Wayne Horwitz - keyboards 
Fred Frith - bass 
Joey Baron - drums 
Yamatsuka Eye - vocals 

1990-03-30 - Forum Picoas, Lisboa, Portugal

1. Introduction (1:18)
2. Snagglepuss (2:49)
3. The Man From U.N.C.L.E. (2:36)
4. Torture Garden (1:47)
5. Blunt Instrument (1:19)
6. Blood Duster (0:40)
7. Ujaku (0:53)
8. The Prestidigitator (Take 1) (1:47)
9. The Prestidigitator (Take 2) (1:58)
10. Batman (2:37)
11. Latin Quarter (4:28)
12. Back in the Earth (4:44)
13. Graveyard of the Brotherhood (5:08)
14. You Will Be Shot (2:13)
15. No Reason to Believe (0:58)
16. NY Flat Top Box (1:23)
17. Speedfreaks (Take 1) (1:23)
18. Speedfreaks (Take 2) (1:29)
19. Rapid Shave (8:29)
20. The List of Adrian Messenger (4:12)
21. The perfume of a Critic's Burning Flesh (0:54)
22. Gob of Spit (0:47)
23. Thrash Jazz Assassin (1:15)
24. A Shot in the Dark (4:46)
25. Taila (5:17)
26. Demon Sanctuary (1:20)
27. Speedball (1:01)
28. Hawaii 5-0 (2:28)
29. Saigon Pickup (5:20)
30. Numbskull (0:56)
31. Obeah Man (0:30)
32. Fuck the Facts (0:30)
33. Hammerhead (0:34)
34. Dead Spot (Take 1) (1:09)
35. Dead Spot (Take 2) (0:43)
36. Dead Spot (Take 3) (1:29)
37. Dead Spot (Take 4) (0:46)
38. James Bond Theme (4:01)
39. Band Intro / Encore Applause (1:52)
40. I Die Screaming (2:21)
41. Speedfreaks (Again) (1:40)

John Zorn - alto saxophone, arranger, bandleader/conductor
Wayne Horvitz - piano, keyboards
Bill Frisell - guitar
Fred Frith - bass
Joey Baron - drums

1990-07-19 - Casino, Montreux Jazz Festival, Montreux

1. Preparing (0:34)
2. Radio Intro (0:36)
3. Preparing (0:23)
4. Osaka Bondage (3:44)
5. Blood Is Thin (2:04)
6. Igneous Ejaculation (1:19)
7. Ujaku (1:22)
8. Thrash Jazz Assassin (1:05)
9. NY Flat Top Box (1:20)
10. Announcing Shang Kuan Ling-Feng (1:15)
11. Shang Kuan Ling-Feng I (1:34)
12. Shang Kuan Ling-Feng II (1:20)
13. Talking (0:42)
14. Sunset Surfer (3:45)
15. Snagglepuss (3:01)
16. James Bond Theme (3:27)
17. Asylum (3:02)
18. Mystery Song (4:56)
19. Punk China Doll (3:40)
20. Hawaii 5-0 (3:35)
21. Band Introduction (1:30)
22. Rapid Shave (9:32)
23. Talking (0:43)
24. Numbskull (1:45)
25. Demon Sanctuary (0:56)
26. Hammerhead (0:37)
27. Talking (0:44)
28. Blunt Instrument (1:13)
29. Talking (0:53)
30. Bonehead (1:14)
31. Talking (0:47)
32. Dead Spot (0:44)
33. Talking (1:16)
34. Slan (0:43)
35. Victims of Torture (0:58)
36. Sack of Shit (1:27)
37. Taila (5:07)
38. Graveyard Shift (4:30)
39. Announcing Speed Freaks (1:19)
40. Speed Freaks (1:00)
41. Speed Freaks (Faster Tempo) II (1:02)
42. Announcing Torture Garden (0:42)
43. Torture Garden (0:36)
44. Band Introduction / Audience Clapping (0:36)
45. Preparing for the Encore (1:34)
46. Bone Orchard (4:04)
47. Jingi No Hakaba (6:05)
48. Radio Interview (9:25)

John Zorn - alto saxophone, arranger, bandleader/conductor
Wayne Horvitz - piano, keyboards
Bill Frisell - guitar
Fred Frith - bass
Joey Baron - drums

1991-04-20 - Park West, Chicago, IL

1. Intro & Band Onstage (1:48)
2. Sack of Shit (0:56)
3. Ujaku (0:40)
4. Demon Sanctuary (0:46)
5. Bonehead (1:39)
6. Blood Duster (0:29)
7. Jazz Snob Eat Shit (1:06)
8. Osaka Bondage (2:09)
9. Hawaii 5-0 (2:44)
10. Asylum (For Charles Mingus) (2:31)
11. Bone Orchard (For John Bonham) (6:36)
12. Triggerfingers (5:26)
13. Thirty Second Improv (0:42)
14. Blunt Instrument (1:06)
15. Slan (1:32)
16. Blood Is Thin (For Jimmy Page) (1:18)
17. String Changing & Adverts (2:55)
18. Torture Garden (0:59)
19. Speedfreaks (1:54)
20. Hellraiser (1:07)
21. Pistol Whipping (1:01)
22. Graveyard of the Brotherhood (5:18)
23. Taila (4:55)
24. A Night in Tunisia (3:00)
25. Pet Sounds (4:29)
26. Intro (1:52)
27. Prelude No 2, Opus 74 (Tres Lent, Contemplatif) (2:02)
28. Prelude No 3, Opus 74 (Allegro Drammatico) (0:58)
29. Skatekey (1:54)
30. Rapid Shave (9:46)
31. Chicago Record Store Adverts (1:07)
32. Shock Corridor (1:30)
33. Numbskull (1:23)
34. Thrash Jazz Assassin (1:05)
35. Fuck the Facts (0:16)
36. Dead Spot (1:11)
37. Victims of Torture (0:48)
38. Shangkuan Ling-Feng (1:13)
39. Intro & Advert (1:34)
40. Sex Fiend (4:12)
41. Once Upon a Time in America (4:21)
42. I Die Screaming (3:02)
43. Encore Applause / Thank You (0:40)
44. Tuning / Intro (1:20)
45. Sunset Surfer (3:37)
46. Band Mulling About & Intro (1:05)
47. Batman (2:44)
48. The Prestidigitator (1:08)
49. Igneous Ejaculation (1:27)
50. Facelifter (1:15)
51. Our Man Flint (3:07)
52. Applause / Band Intro (0:29)

John Zorn - alto saxophone, arranger, bandleader/conductor
Wayne Horvitz - piano, keyboards
Bill Frisell - guitar
Fred Frith - bass
Joey Baron - drums

1992-04-09 - The Marquee, New York City, NY (Incomplete)

1. Leng Tch'e (30:19)
2. Strange Cargo (8:40)
3. Asylum (2:45)
4. Terkmani Teepe (4:40)
5. Party Girl (False Start) (1:23)
6. Party Girl (3:09)
7. Sunset Surfer (4:49)
8. Shock Corridor (1:37)
9. Igneous Ejaculation (0:47)
10. Slan (1:05)
11. Speedfreaks (1:32)
12. Bonehead (1:48)
13. Piledriver (1:16)
14. Blood Duster (1:01)
15. Poisonhead (1:50)
16. The Catacombs (5:14)
17. Thrash Jazz Assassin (1:42)
18. Hellraiser (2:26)
19. Dead Spot (1:17)
20. Sack of Shit (1:54)
21. Metal Tov (3:10)
22. Once Upon a Time in America (3:58)
23. Snagglepuss (2:54)
24. The Yodel (Cut) (8:16)

John Zorn - alto saxophone, arranger, conductor
Bill Frisell - guitar
Wayne Horvitz - piano, keyboards
Fred Frith - bass
Joey Baron - drums
Yamatsuka Eye - vocals
Kevin Sharp - guest vocals on Leng Tch'e

1992-04-26 - Stadttheater Kleine Bühne, Basel

1. Razorwire (10:25)
2. Sunset Surfer (4:11)
3. Metal Tov (4:30)
4. Triggerfingers (6:25)
5. Terkmani Teepe (8:00)
6. Asylum (2:40)
7. Sex Fiend (6:22)
8. Jezebel (Walter Shanklin) (3:48)
9. The Outsider (Knuckleheads) (3:00)
10. Party Girl (3:50)
11. Strange Cargo (William Orbit) (9:20)
12. Eye Comes In / Osaka Bondage (2:30)
13. Poisonhead (2:04)
14. I Die Screaming (3:35)
15. Leng Tch'e (1st Part) (28:40)
16. Leng Tch'e (2nd Part) (9:14)
17. The Vault (7:17)
18. Thundercrack (American Psycho) (9:59)

John Zorn - alto saxophone, arranger, conductor
Bill Frisell - guitar
Wayne Horvitz - piano, keyboards
Fred Frith - bass
Joey Baron - drums
Yamatsuka Eye - vocals

1992-05-01 - Stadtgarten, Köln

1. Intro (3:16)
2. Leng Tch'e (23:01)
3. Unknown (8:10)
4. Razorwire (9:02)
5. Metal Tov (4:55)
6. Jezebel (4:30)
7. Knucklehead (2:54)
8. Henry, Portrait of a Serial Killer (8:59)
9. Devil's Island (6:32)
10. Talking (1:03)
11. Lacrosse (9:46)
12. Strange Cargo (10:20)
13. Prophetiae Sybillarum (1:24)
14. Osaka Bondage (2;11)
15. Facelifter (1:31)
16. Thrash Jazz Assassin (1:05)
17. Zorn & Eye Duo (0:43)
18. Kaoru (1:36)
19. Speedfreaks (0:49)
20. Speedfreaks (Again) (1:31)
21. Dead Spot (0:52)
22. The Catacombs (5:16)
23. Shock Corridor (1:15)
24. Hellraiser (1:02)
25. Bonehead (1:09)
26. Blood Is Thin (1:16)
27. Shangkuan Ling-Feng (0:44)
28. Blunt Instrument (1:36)
29. A Night in Tunisia (5:01)
30. Poisonhead (1:46)
31. Thundercrack (5:18)

John Zorn - alto saxophone, arranger, conductor
Bill Frisell - guitar
Wayne Horvitz - piano, keyboards
Fred Frith - bass
Joey Baron - drums
Yamatsuka Eye - vocals

1993-09-15 - Knitting Factory, New York City, NY

Early Show
1.1. Chronological Announcement (0:35)
1.2. Batman (2:27)
1.3. Latin Quarter (4:56)
1.4. The Sicilian Clan (3:54)
1.5. Snagglepuss (4:28)
1.6. James Bond Theme (4:16)
1.7. The Cage (Take 1) (2:04)
1.8. The Cage (Take 2) (1:22)
1.9. Eye Arrives (1:07)
1.10. Igneous Ejaculation (0:54)
1.11. Hammerhead (0:21)
1.12. Ujaku (0:45)
1.13. Blood Duster (0:27))
1.14. S&M Sniper (False Start) (0:54)
1.15. S&M Sniper (0:32)
1.16. NY Flat Top Box (1:21)
1.17. Demon Sanctuary (1:12)
1.18. Billy Liar (Take 1) (0:33)
1.19. Billy Liar (Take 2) (1:01)
1.20. You Will Be Shot (1:58)
1.21. Obeah Man (1:03)
1.22. Dead Dread (1:37)
1.23. Speedball (1:06)
1.24. Fuck the Facts (0:26)
1.25. Punk China Doll (False Start) (1:05)
1.26. Punk China Doll (2:49)
1.27. Back in the Earth (5:06)
1.28. Eye Leaves (0:41)
1.29. A Shot in the Dark (3:01)
1.30. The Way I Feel (11:02)
1.31. Tuning Up (1:01)
1.32. Contempt (3:15)
1.33. Request Set Announcement (0:55)
1.34. Chinatown (7:53)
1.35. Metal Tov (4:18)

Late Show
2.1. Tuning Up (0:51)
2.2. Graveyard Shift (5:21)
2.3. Chronological Announcement /  Band Intro (1:00)
2.4. I Want to Live (2:26)
2.5. Reanimator (Take 1) (1:49)
2.6. Reanimator (Take 2) (2:18)
2.7. Blues Groove (8:59)
2.8. Lonely Woman (5:48)
2.9. Surfer Girl (2:17)
2.10. Church Key (4:26)
2.11. Inside Straight (10:20)
2.12. Eye Returns (1:11)
2.13. Blunt Instrument (1:10)
2.14. Hecklers (0:30)
2.15. Victims of Torture (Take 1) (0:22)
2.16. Victims of Torture (Take 2) (0:40)
2.17. Numbskull (0:34)
2.18. Perfume of a Critic's Burning Flesh (0:48)
2.19. Skatekey (1:38)
2.20. Zapata (4:46)
2.21. Erotico (5:50)
2.22. Torture Garden (0:56)
2.23. Piledriver (1:24)
2.24. Whiplash (Take 1) (0:38)
2.25.  Whiplash (Take 2) (0:42)
2.26. Kaoru (1:31)
2.27. The Ways of Pain (0:50)
2.28. Thrash Jazz Assassin (1:12)
2.29. I Die Screaming (2:56)
2.30. Taxi Driver (7:43)
2.31. Metal Tov (4:44)

John Zorn - alto saxophone, arranger, conductor
Bill Frisell - guitar
Wayne Horvitz - piano, keyboards
Fred Frith - bass
Joey Baron - drums
Yamatsuka Eye - vocals

1993-09-16 - Knitting Factory, New York City, NY

Early Show
1.1. Introduction (0:48)
1.2. A Night in Tunisia (2:41)
1.3. The Mystery Song (5:08)
1.4. Saigon Pickup (4:57)
1.5. Asylum (False Start) (0:35)
1.6. Asylum (For Charles Mingus) (2:28)
1.7. Preludes Op. 74, No 2: Tres lent, contemplatiff (3:05)
1.8. Preludes Op. 74, No 3: Allegro drammatico (1:02)
1.9. Baby Doll (9:08)
1.10. Sunset Surfer (4:02)
1.11. Bone Orchard (For John Bonham) (5:35)
1.12. Dreamsville (7:08)
1.13. The Cincinnati Kid (5:10)
1.14. Eye on Stage (0:34)
1.15. Blood Is Thin (For Jimmy Page) (1:41)
1.16. Slan (0:54)
1.17. NY Flat Top Box (1:30)
1.18. Ujaku (False Start) (0:16)
1.19. Ujaku (1:05)
1.20. Blunt Instrument (1:03)
1.21. Numbskull (0:54)
1.22. Speedball (1:58)
1.23. Speedfreaks (0:54)
1.24. Kaoru (1:25)
1.25. Victims of Torture (1:07)
1.26. Pistol Whipping (1:56)
1.27. Shangkuan Ling-Feng (1:16)
1.28. Graveyard Shift (5:29)
1.29. Applause / Band Introductions (0:29)
1.30. Request Set Announcement (0:49)
1.31. Once Upon a Time in America (3:28)
1.32. Applause ~ Band Outro (0:21)

Late Show
2.1. Broken Shadows (7:29)
2.2. Snagglepuss (3:08)
2.3. Body Heat (7:27)
2.4. Taila (4:18)
2.5. Eye Introduction (0:54)
2.6. Prophetiae Sybillarum (3:08)
2.7. Osaka Bondage (2:04)
2.8. Igneous Ejaculation (0:40)
2.9. Demon Sanctuary (0:58)
2.10. Thrash Jazz Assassin (1:11)
2.11. Obeah Man (0:56)
2.12. Yoshimi Introduction (0:42)
2.13. Bonehead (1:22)
2.14. Dead Spot (0:46)
2.15. Fuck the Facts (0:13)
2.16. Hammerhead (0:28)
2.17. Piledriver (1:13)
2.18. Facelifter (1:22)
2.19. Gob of Spit (2:05)
2.20. I Die Screaming (4:06)
2.21. Tuning Before Encores (End of Cassette) (0:32)

John Zorn - alto saxophone, arranger, conductor
Bill Frisell - guitar
Wayne Horvitz - piano, keyboards
Fred Frith - bass
Joey Baron - drums
Yamatsuka Eye - vocals
& special guest
Yoshimi P-We - vocals (Late Show)

1993-09-17 - Knitting Factory, New York City, NY (Early Show)

Source 1
1.1. Leng Tch'e (35:42)
1.2. Applause (0:57)
1.3.Crowd Noise & Warming Up (1:06)
1.4. Strange Cargo (9:45)
1.5. Applause (0:24)
1.6. Intro (0:54)
1.7. The Yodel (10:20)
1.8. Applause (0:17)
1.9. Intro (0:49)
1.10. Pet Sounds (3:00)
1.11. Applause (0:27)
1.12. The List of Adrian Messenger (2:52)
1.13. Applause (0:29)
1.14. Intro (0:39)
1.15. Metal Tov (4:08)
1.16. Applause (0:22)
1.17. Intro (0:29)
1.18. The Bad & The Beautiful (2:15)
1.19. Applause (0:16)
1.20. Intro (0:31)
1.21. Henry, Portrait of a Serial Killer (5:57)
1.22. Applause, Eye Returns (0:51)
1.23. Shangkuan Ling-Feng (0:59)
1.24. Applause (0:26)
1.25. Sack of Shit (0:50)
1.26. Applause (0:17)
1.27. Kaoru (0:55)
1.28. Applause (0:13)
1.29. Thrash Jazz Assassin (0:41)
1.30. Applause (0:25)
1.31. Dead Spot (0:32)
1.32. Applause (0:29)
1.33. Hellraiser (0:47)
1.34. Applause (0:15)
1.35. Intro (& Outro) (0:22)
1.36. The Prestidigitator (0:46)
1.37. Applause (0:09)
1.38. Pistol Whipping (0:44)
1.39. End of Set (0:39)

Source 2
2.1. Leng Tch'e (37:39)
2.2. Strange Cargo (10:50)
2.3. The Yodel (11:30)
2.4. Pet Sounds (4:10)
2.5. The List of Adrian Messenger (3:23)
2.6. Metal Tov (5:21)
2.7. The Bad and The Beautiful (3:12)
2.8. Henry, Portrait of a Serial Killer (6:51)
2.9. Shangkuan Ling-Feng (1:52)
2.10. Sack of Shit (1:19)
2.11. Kaoru (1:13)
2.12. Thrash Jazz Assassin (0:55)
2.13. Dead Spot (0:58)
2.14. Hellraiser (1:21)
2.15. The Prestidigitator (1:22)
2.16. Pistol Whipping (1:27)

Source 3
3.1. Leng Tch'e (36:14)
3.2. Applause (0:56)
3.3. Crowd Noise & Warming Up (1:08)
3.4. Strange Cargo (9:53)
3.5. Applause (0:24)
3.6. Intro (0:55)
3.7. The Yodel (10:26)
3.8. Applause (0:22)
3.9. Intro (0:45)
3.10. Pet Sounds (3:02)
3.11. Applause (0:29)
3.12. The List of Adrian Messenger (2:52)
3.13. Applause (0:29)
3.14. Intro (0:39)
3.15. Metal Tov (4:09)
3.16. Applause (0:23)
3.17. Intro (0:29)
3.18. The Bad & The Beautiful (2:16)
3.19. Applause (0:16)
3.20. Intro (0:32)
3.21. Henry, Portrait of a Serial Killer (5:59)
3.22. Applause / Eye Back on Stage (0:52)
3.23. Shangkuan Ling-Feng (0:59)
3.24. Applause (0:26)
3.25. Sack of Shit (0:51)
3.26. Applause (0:11)
3.27. Kaoru (1:01)
3.28. Applause (0:13)
3.29. Thrash Jazz Assassin (0:41)
3.30. Applause (0:26)
3.31. Dead Spot (0:32)
3.32. Applause (0:29)
3.33. Hellraiser (0:47)
3.34. Applause (0:15)
3.35. Intro (& Outro) (0:22)
3.36. The Prestidigitator (0:56)
3.37. Applause (0:09)
3.38. Pistol Whipping (0:44)
3.39. End of Set (0:48)

John Zorn - alto saxophone, arranger, conductor
Bill Frisell - guitar
Wayne Horvitz - piano, keyboards
Fred Frith - bass
Joey Baron - drums
Yamatsuka Eye - vocals
Kevin Sharp - guest vocals on Leng Tch'e

1993-09-18 - Knitting Factory, New York City, NY

Early Show
1.1. Introduction (0:24)
1.2. Grand Guignol (24:34)
1.3. Rapid Shave (14:24)
1.4. The Vault (4:33)
1.5. Osaka Bondage (2:05)
1.6. Hellraiser (1:30)
1.7. Dead Spot (0:49)
1.8. Kaoru (1:30)
1.9. Thrash Jazz Assassin (1:08)
1.10. Bonehead (1:16)
1.11. Pistol Whipping (1:18)
1.12. Shock Corridor (1:22)
1.13. The Prestidigitator (1:18)
1.14. Sack of Shit (0:53)
1.15. DNA Intro (0:37)
1.16. Lying on the Sofa of Life (3:07)
1.17. Jack Smith Intro (0:51)
1.18. Jezebel (4:50)
1.19. The Outsider (4:20)
1.20. Sunset Surfer (4:53)
1.21. Bone Orchard (For John Bonham) (4:59)
1.22. Improvisation (2:42)
1.23. Mr. Kiss Kiss Bang Bang (5:37)

Late Show
2.1. Introduction (Cut) (0:15)
2.2. Louange à l'éternité de Jésus (8:37)
2.3. Erotico (5:48)
2.4. Pet Sounds (3:36)
2.5. Taila (5:15)
2.6. Asylum (2:29)
2.7. Henry, Portrait of a Serial Killer (7:46)
2.8. Inside Straight (11:58)
2.9. Yamatsuka Eye Arrives on Stage (1:19)
2.10. Super Stupid (6:37)
2.11. Pigfucker (1:44)
2.12. New Jersey Scum Swamp (1:12)
2.13. Demon Sanctuary (0:57)
2.14. Intro (0:17)
2.15. Hammerhead (0:17)
2.16. Intro (0:25)
2.17. Speedfreaks (1:02)
2.18. Igneous Ejaculation Intro (0:18)
2.19. Happy Birthday (Surprise by the Band!) (0:40)
2.20. Igneous Ejaculation (0:30)
2.21. Jazz Snob Eat Shit (1:12)
2.22. Intro (0:45)
2.23. No Reason to Believe (0:40)
2.24. Slan (1:02)
2.25. Blood Is Thin (For Jimmy Page) (1:22)
2.26. Shangkuan Ling-Feng (1:29)
2.27. Gob of Spit (0:59)
2.28. Eye Leaves (0:43)
2.29. Chinatown (8:55)
2.30. Metal Tov (5:05)
2.31. Latin Quarter (4:45)
2.32. Intro (Damaged) (0:53)
2.33. You Only Live Twice (4:24)
2.34. Encore Applause (2:16)
2.35. Eye Returns to the Stage (0:47)
2.36. A Shot in the Dark (3:50)
2.37. DNA Intro (0:52)
2.38. Lying on the Sofa of Life (2:07)
2.39. Applause / Eye Leaves (0:29)
2.40. The Bad & The Beautiful (3:03)
2.41. Applause / End of Naked City (0:58)

John Zorn - alto saxophone, arranger, conductor
Bill Frisell - guitar
Wayne Horvitz - piano, keyboards
Fred Frith - bass
Joey Baron - drums
Yamatsuka Eye - vocals


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